Wednesday, May 29, 2013

Whatever I Hang - The Migrant Poetry of Femi Abodunrin











For Grace Nichols


 I
From love of Calypsos
Through theorizing about the Middle-Passage
And amazing glimpses of the ruins of a great house
I watched the new Oilgerian game of death
But some call it the game of life
Disembarking at ORT to an implausible reception
By skeptical teams of post-apartheid Customs and Excise!
“Ah! This way Sir” – I heard one sister say to a brother.
“What have you brought from Oilgeria?” She would like to know
But the bulging Ghana-Must-Go had given away the game
“Eish! These Oilgerians think they’re clever”, sister mouths wordlessly
Tubers of yams sprouted from the bulging bag and brother feigned surprise
Cassava flour emerged trailed by iru, okasi and assorted bush meat!
“What are these?” Post-apartheid sister mouthed enraged
Nothing-to-deklare brother smiled and embraced the empty Ghana-Must-Go!
It’s every day for the thief, he retorted, without bitterness!

II
But just yesterday we were theorizing about the colonial baggage
Blown wide open on the conveyor belt – exposing decades of postcolonial angst
But now can we focus on the new post- without remorse?
And is the post- in post-colonial the post- in post-racialism?
Leaving my wazobia ways to participate in this orgy of tricolored angst
And nollywood stars trailing and cursing – not to mention
Sacrilegious ‘nothing-to-deklare’ sisters, joining the macabre dance.
In Jozi we shall all meet in an arranged marriage of inconvenience
The lobola dance terminating at ABSA – while we exchange
Knowing glances of notions of home. Ah! Whatever I hang!
‘And what are these?’ post-racialist sister would like to know
‘Fixes’, nothing-to-deklare brother retorted without contrition
‘You mean those things our girls hang on their heads’ sister corrected
‘And don’t they hang beautifully?’ he would like to know
And whatever I hang, he smiled ruefully,
Is this what I shall call home?

Femi Abodunrin 
Polokwane, December 2012



Femi Abodunrin is presently Professor of English Studies and Performing Arts at the University of Limpopo, Turfloop Campus. He studied at Bayero University, Kano, Nigeria and holds a PhD degree from Stirling University, Scotland, UK. He has taught at universities in Nigeria, the UK, Germany, Malawi and Swaziland. His major publications include Blackness: Culture, Ideology and Discourse (BASS, 1996, 2008).